Box Office Movies
Posted By admin On 27/06/18ALL-TIME BOX OFFICE TOP 100 Box-Office Top 100 Films of All-Time: Rankings of both US (Domestic) and Worldwide Box-Office blockbusters have been compiled from various recent sources. The domestic rankings, divided into unadjusted and adjusted for inflation,* are based upon theatrical box office receipts (including some theatrical re-release receipts) and do not include video rentals, TV rights, international box office figures, or other revenues. A few other sites post all-time box-office information, including the Internet Movie DataBase,,, and. That have been selected at this site are identified throughout by a yellow star. Box-Office Index ALL-TIME BOX-OFFICE TOP 100 FILMS (through to early February 2018) TOP 100 FILMS OF ALL-TIME (Domestic Gross)* (Unadjusted for Inflation) (Domestic Gross)* (Adjusted for Inflation) TOP 100 FILMS OF ALL-TIME (Worldwide Gross)*.
Cracked Usenext Client Download there. • • Avatar (2009) • Titanic (1997) • • Marvel's The Avengers (2012) • Star Wars: The Last Jedi (2017) • • • Beauty and the Beast (2017) • Finding Dory (2016) • • • Avengers: Age of Ultron (2015) • • • • The Hunger Games: Catching Fire (2013) • • The Lion King (1994) • Toy Story 3 (2010) • Wonder Woman (2017) • Iron Man 3 (2013) • Captain America: Civil War (2016) • The Hunger Games (2012) • • • Transformers: Revenge of the Fallen (2009) • Frozen (2013) • Guardians of the Galaxy Vol. • • • • • Titanic (1997) • • • Doctor Zhivago (1965) • • • • 101 Dalmatians (1961) • • • Avatar (2009) • • • • The Lion King (1994) • The Sting (1973) • • • • • • Forrest Gump (1994) • Mary Poppins (1964) • Grease (1978) • Marvel's The Avengers (2012) • • • The Jungle Book (1967) • Sleeping Beauty (1959) • • • • • • Independence Day (1996) • Home Alone (1990) • • Cleopatra (1963) • • Star Wars: The Last Jedi (2017) • • Airport (1970) • • The Robe (1953) • • Around the World in 80 Days (1956) • Bambi (1942) • • • The Bells of St.
Helen Mirren stars in “Winchester,” the weekend’s only new wide-release movie. Credit CBS Films LOS ANGELES — In their Super Bowl tradition, the major Hollywood studios sat on the sidelines over the weekend. Only one new low-cost movie, the horror-themed “Winchester,” arrived in wide release, an effort by a small film company to counterprogram the big game by going after female ticket buyers.
That left two holdovers to lead the box office. “Jumanji: Welcome to the Jungle” (Sony Pictures) reclaimed the No. 1 spot, selling about $11 million in tickets at North American theaters, for a seven-week domestic total of $352.6 million, according to comScore, which compiles box office data. It is almost unheard-of for a movie to continue to perform so strongly so late in its run. “Maze Runner: The Death Cure” (20th Century Fox) was second, collecting an estimated $10.2 million, for a two-week total of $39.8 million. Third was “Winchester,” inspired by the true story of Sarah Winchester, a firearm heiress who, in the early 1900s, came to believe that people killed by the were haunting her.
The film took in roughly $9.3 million, a bit more than analysts were expecting before release. The movie, which stars Helen Mirren, but ticket buyers gave it a B-minus grade in CinemaScore exit polls, a relatively good result for the horror genre. Advertisement CBS Films paid $3.5 million for the rights to “Winchester,” which was distributed by Lionsgate. Founded in 2007, CBS Films aims to release about four modestly priced movies a year.
It focuses on counterprogramming. For instance, the last CBS Films effort, the action thriller “American Assassin,” arrived in September, a month when competitors mostly focus on more serious genres as students return to school. “American Assassin,” the lone CBS Films wide release in 2017, took in a soft $36.2 million. Ticket sales were likely hindered by “It,” which became an unexpected blockbuster for Warner Bros. “Winchester” did not perform like a typical horror movie. Ticket sales increased from Friday to Saturday; horror movies often drop after opening day. Horror also tends to appeal primarily to teenage girls.